Schedule for Stingray Classica

Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony. Beethoven wrote the work upon completion of his Symphony No. 5. Both symphonies premiered at the same legendary, all-Beethoven concert on December 22, 1808. Symphony No. 6 consists of five movements, of which the last three are played without a break. Each movement carries a title that suggests a scene from life in the countryside. The joyful atmosphere of the first three movements is interrupted by the violent fourth movement ‘Thunder, Storm', as expressed by the piccolos, brass, and timpani. As the storm recedes at the end of the movement, the tranquility returns in the final movement. This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-07-16 12:10:06 +0000 UTC2026-07-16 13:09:35 +0000 UTC(59m)
Evgeny Kissin, Nikolai Demidenko, Warsaw Philharmonic Orchestra & Antoni Wit

Evgeny Kissin, Nikolai Demidenko, Warsaw Philharmonic Orchestra & Antoni Wit

Antoni Wit conducts the Warsaw Philharmonic Orchestra in performances of Chopin's Piano Concertos No. 1, Op. 11 and No. 2, Op. 21. Soloists are Nikolai Demidenko and Evgeny Kissin. After performing the first concerto, Demidenko encores with Chopin's Mazurka Op. 17/4. Kissin closes the concert with Chopin's Etude Op. 10/12 and the Waltz in E minor, Op. post. This concert was part of the celebration of Chopin's 200th anniversary in 2010. Chopin composed the second concerto one year before the Concerto No. 1 and completed both works at the age of 20, before leaving his home country Poland and moving to Paris.

2026-07-18 00:12:28 +0000 UTC2026-07-18 02:00:14 +0000 UTC(1h47m)
Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

2006 closed with a spectacular festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmónica del Teatro Colon under Daniel Barenboim (conductor & soloist) join bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica for an extraordinary New Year's Eve show with popular tangos and Latin American orchestra classics. The old master of tango, José Carli, created enchanting new arrangements of works by Argentinean artists Astor Piazzolla, Carlos Gardel, Julio de Caro, Alberto Ginastera and Horacio Salgán. Performances by leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.

2026-07-17 22:12:00 +0000 UTC2026-07-18 00:12:28 +0000 UTC(2h)
Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony. Beethoven wrote the work upon completion of his Symphony No. 5. Both symphonies premiered at the same legendary, all-Beethoven concert on December 22, 1808. Symphony No. 6 consists of five movements, of which the last three are played without a break. Each movement carries a title that suggests a scene from life in the countryside. The joyful atmosphere of the first three movements is interrupted by the violent fourth movement ‘Thunder, Storm', as expressed by the piccolos, brass, and timpani. As the storm recedes at the end of the movement, the tranquility returns in the final movement. This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-07-17 21:12:32 +0000 UTC2026-07-17 22:12:00 +0000 UTC(59m)
Orquesta Sinfónica de Minería & José Areán

Orquesta Sinfónica de Minería & José Areán

Mahler's Symphony No. 10 is an unfinished work left by the composer at his death, representing his ultimate emotional journey from torment and heartbreak to an unreserved acceptance of life and human love. The symphony, built on the composer's personal anguish and existential explorations, is characterized by its deep emotional range, intricate orchestration, and epic scale, culminating in a powerful affirmation of human connection in the face of mortality. Deryck Cook completed a version of the work with the help of materials provided by Mahler's widow.

2026-07-17 19:27:03 +0000 UTC2026-07-17 21:12:32 +0000 UTC(1h45m)
Benjamin Haemhouts, Casco Phil & Geert Baeckelandt

Benjamin Haemhouts, Casco Phil & Geert Baeckelandt

Wolfgang Amadeus Mozart wrote his last completely instrumental piece in 1791. Clarinet Concerto in A Major was written for his friend Anton Stadler, who gave the first performance of it in Prague to a great reception according to the Berlin Musikalisches Wochenblatt. Today, a major part of the first movement is often used in auditions for orchestras and music schools. In this broadcast, the piece is performed by Casco Phil, a Belgian chamber orchestra led by Benjamin Haemhouts. Belgian clarinettist Geert Baeckelandt is the featured soloist.

2026-07-17 18:50:20 +0000 UTC2026-07-17 19:27:03 +0000 UTC(36m)
Glass Marcano, Orchestre Symphonique Région Centre-Val de Loire/Tours & Stéphanie-Marie Degand

Glass Marcano, Orchestre Symphonique Région Centre-Val de Loire/Tours & Stéphanie-Marie Degand

Young Venezuelan conductor Glass Marcano is a rising star. Having played in various local youth and symphony orchestras as a violinist, her first experience conducting an ensemble followed in 2012. In September 2020, she won the Orchestra Prize at La Maestra Competition – the first orchestra direction contest for women – held in Paris. In this concert, recorded at Opéra de Tours in February 2021, Marcano leads the Orchestre Symphonique Région Centre-Val de Loire/Tours in performances of two Romantic masterpieces. The program opens with Ludwig van Beethoven's Violin Concerto in D major, Op. 61, featuring Stéphanie-Marie Degand as the soloist. This piece is one of the most important works in its genre. The program concludes with Georges Bizet's 1855 Symphony in C major, written when the composer was only 17 years old.

2026-07-17 12:02:20 +0000 UTC2026-07-17 13:46:49 +0000 UTC(1h44m)
Ivan Fischer, Budapest Festival Orchestra & Richard Goode

Ivan Fischer, Budapest Festival Orchestra & Richard Goode

Iván Fischer leads his Budapest Festival Orchestra (BFO) in a concert program dedicated to the music of Ludwig van Beethoven. The program opens with the composer's Symphony No. 1 in C major, Op. 21. Afterward, Fischer conducts Beethoven's Piano Concerto No. 4 in G major, Op. 58, in which Richard Goode features as the soloist. The acclaimed American pianist (1943) is known for his interpretations of the Beethoven repertoire. Goode recorded all five Beethoven piano concertos with the BFO and Fischer, earning him exceptional critical acclaim and a Grammy Award nomination. As an encore, Goode performs the Sarabande from J. S. Bach's Partita in B-flat major, BWV 825. The program closes with Beethoven's famous Symphony No. 5 in C minor, Op. 67. This performance was recorded at the Béla Bartók National Concert Hall in Budapest, Hungary, on January 29, 2017.

2026-07-17 10:02:49 +0000 UTC2026-07-17 12:02:20 +0000 UTC(1h59m)
Gianandrea Noseda, London Symphony Orchestra, Chris Richards & Rachel Gough

Gianandrea Noseda, London Symphony Orchestra, Chris Richards & Rachel Gough

Gianandrea Noseda conducts the London Symphony Orchestra in a concert performance recorded on April 15, 2021, at St. Luke's, London. The program begins with Richard Strauss's Duett-Concertino for clarinet and bassoon, a late, lyrical work that evokes a fairy-tale-like dialogue between the two solo instruments, featuring Chris Richards (clarinet) and Rachel Gough (bassoon). Next is Franz Liszt's Symphonic Poem No. 4, Orpheus, a contemplative and radiant homage to the mythic musician. The concert concludes with Nino Rota's Symphony No. 3, a richly melodic and rhythmically vibrant work that reflects the cinematic flair for which the composer is widely known.

2026-07-17 08:42:54 +0000 UTC2026-07-17 10:02:49 +0000 UTC(1h19m)
Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

2006 closed with a spectacular festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmónica del Teatro Colon under Daniel Barenboim (conductor & soloist) join bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica for an extraordinary New Year's Eve show with popular tangos and Latin American orchestra classics. The old master of tango, José Carli, created enchanting new arrangements of works by Argentinean artists Astor Piazzolla, Carlos Gardel, Julio de Caro, Alberto Ginastera and Horacio Salgán. Performances by leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.

2026-07-17 06:44:26 +0000 UTC2026-07-17 08:42:54 +0000 UTC(1h58m)
Jos van Immerseel, Anima Eterna Brugge, Claron McFadden & Bart Van Caenegem

Jos van Immerseel, Anima Eterna Brugge, Claron McFadden & Bart Van Caenegem

Belgian conductor Jos van Immerseel leads Anima Eterna Brugge in a concert program dedicated to American composer George Gershwin. The program opens with Gershwin's symphonic suite Catfish Row (arr. Steven D. Bowen) which is based upon music from his famous opera Porgy and Bess (1935). This is followed by the well-known tone poem An American in Paris (1928). After, soprano Claron McFadden joins the orchestra, presenting a selection of Gershwin's classic jazz songs, including ‘The man I love' (1924-27), ‘I got rhythm' (1930), and ‘By Strauss' (1936). She also performs ‘My man's gone now' and ‘Summertime' from Porgy and Bess. The concert ends with Gershwin's celebrated Rhapsody in Blue, with Bart Van Caenegem as featured pianist. This performance was recorded at Concertgebouw Brugge, Belgium, on March 3, 2017.

2026-07-17 00:10:32 +0000 UTC2026-07-17 02:11:02 +0000 UTC(2h)
Philippe Jordan, Orchestre de l'Opéra national de Paris, Choeur de l'Opéra national de Paris & Ricarda Merbeth

Philippe Jordan, Orchestre de l'Opéra national de Paris, Choeur de l'Opéra national de Paris & Ricarda Merbeth

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, maestro Jordan presents Beethoven's final symphony: Symphony No. 9 in D minor, Op. 125. He conducts the Orchestre and Choeurs de l'Opéra national de Paris and four vocal soloists Ricarda Merbeth (soprano), Daniela Sindram (mezzosoprano), Robert Dean Smith (tenor), and Günther Groissböck (bass). Beethoven composed his last Symphony when his hearing had all but gone, between 1822 and 1824. Symphony No. 9 is the longest and most ambitious of Beethoven's symphonies. Most striking is the piece's finale movement, which includes a choir and four vocal soloists singing a setting of Friedrich Schiller's poem ‘An die Freude' (Ode to Joy). This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-07-16 22:41:03 +0000 UTC2026-07-17 00:10:32 +0000 UTC(1h29m)
Christian Zacharias, Orchestre National de Lille & Isabelle van Keulen

Christian Zacharias, Orchestre National de Lille & Isabelle van Keulen

German conductor Christian Zacharias leads the Orchestre national de Lille in a concert program dedicated to Robert Schumann. The concert opens with the ‘Genoveva' Overture, Op. 81. Although Schumann's only opera Genoveva is not often performed, its overture established itself as an autonomous work in concert halls. After, the composer's Violin Concerto in D minor, WoO 23, is performed, featuring Dutch violinist Isabelle van Keulen as the soloist. Written in 1853, it is Schumann's only violin concerto. The concert ends with a performance of Schumann's Symphony No. 1 in B-flat major, Op. 38, also known as the ‘Spring Symphony'. This optimistic work is written in 1841 and is the most performed of Schumann's four symphonies. This concert was recorded at Auditorium du Nouveau Siècle in Lille, France, on June 16, 2017.

2026-07-16 20:56:05 +0000 UTC2026-07-16 22:41:03 +0000 UTC(1h44m)
Daniel Harding, Orchestra del Maggio Musicale Fiorentino, Coro del Maggio Musicale Fiorentino & Christiane Karg

Daniel Harding, Orchestra del Maggio Musicale Fiorentino, Coro del Maggio Musicale Fiorentino & Christiane Karg

Daniel Harding leads the Orchestra and Choir of the Maggio Musicale Fiorentino and four vocal soloists in a magnificent performance of Wolfgang Amadeus Mozart's Requiem in D minor, K. 626. The soloists are soprano Christiane Karg, mezzosoprano Sara Mingardo, tenor Matthew Swensen, and bass Gianluca Buratto. The Austrian Count Walsegg commissioned Mozart to compose a Requiem in July 1791 to commemorate his late wife, Anna. At the time, Mozart was busy working on his operas La clemenza di Tito and The Magic Flute. By the time he started on the Requiem, in the fall of that same year, his health was seriously declining. Mozart passed away in December 1791, leaving the Requiem uncompleted. His pupil Franz Xaver Süssmayr completed Mozart's swan song in the form known today, based on Mozart's sketches and possibly verbal instructions. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

2026-07-16 19:54:06 +0000 UTC2026-07-16 20:56:05 +0000 UTC(1h1m)
Sarah Hicks, Danish National Symphony Orchestra, Danish National Concert Choir & Tuva Semmingsen

Sarah Hicks, Danish National Symphony Orchestra, Danish National Concert Choir & Tuva Semmingsen

This exclusive live concert production presents a unique selection of movie classics - from Sergio Leone's iconic Spaghetti Westerns to modern mafia masterpieces by Francis Ford Coppola and the cult movies of Tarantino. The Danish National Symphony Orchestra and Concert Choir are conducted by Sarah Hicks in this premiere performance of authentic soundtracks by composer legends Ennio Morricone, Nino Rota, Sonny Bono, and Bernard Herrmann. Soloists for this performance are Tuva Semmingsen (mezzo), Christine Nonbo Andersen (soprano), Hans Ulrik (saxophone) and Mads Kjølby (guitars). Recorded at the DR Koncerthuset in Copenhagen, Denmark in 2018.

2026-07-16 18:27:25 +0000 UTC2026-07-16 19:54:06 +0000 UTC(1h26m)
Herbert Blomstedt & Gewandhausorchester Leipzig

Herbert Blomstedt & Gewandhausorchester Leipzig

Conductor Herbert Blomstedt and the Gewandhausorchester take us on a musical journey to the Czech Republic in this 2020 concert from Leipzig's Gewandhaus. The program opens with Bohemian composer Jan Václav Hugo Voríšek's Symphony in D major, Op. 23 (1821). Although the composition – Voríšek's only symphony – was never performed during the composer's lifetime, it has become one of his most-performed works today. Also on the program is Wolfgang Amadeus Mozart's Symphony No. 38 in D major, K. 504. This work, which premiered while Mozart was visiting Prague in 1787, is often referred to as the ‘Prague Symphony'.

2026-07-16 13:09:35 +0000 UTC2026-07-16 14:43:42 +0000 UTC(1h34m)
Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony. Beethoven wrote the work upon completion of his Symphony No. 5. Both symphonies premiered at the same legendary, all-Beethoven concert on December 22, 1808. Symphony No. 6 consists of five movements, of which the last three are played without a break. Each movement carries a title that suggests a scene from life in the countryside. The joyful atmosphere of the first three movements is interrupted by the violent fourth movement ‘Thunder, Storm', as expressed by the piccolos, brass, and timpani. As the storm recedes at the end of the movement, the tranquility returns in the final movement. This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-07-16 12:10:06 +0000 UTC2026-07-16 13:09:35 +0000 UTC(59m)
Benjamin Haemhouts, Casco Phil & Geert Baeckelandt

Benjamin Haemhouts, Casco Phil & Geert Baeckelandt

Wolfgang Amadeus Mozart wrote his last completely instrumental piece in 1791. Clarinet Concerto in A Major was written for his friend Anton Stadler, who gave the first performance of it in Prague to a great reception according to the Berlin Musikalisches Wochenblatt. Today, a major part of the first movement is often used in auditions for orchestras and music schools. In this broadcast, the piece is performed by Casco Phil, a Belgian chamber orchestra led by Benjamin Haemhouts. Belgian clarinettist Geert Baeckelandt is the featured soloist.

2026-07-16 11:33:23 +0000 UTC2026-07-16 12:10:06 +0000 UTC(36m)
Sarah Hicks, Danish National Symphony Orchestra, Danish National Concert Choir & Tuva Semmingsen

Sarah Hicks, Danish National Symphony Orchestra, Danish National Concert Choir & Tuva Semmingsen

This exclusive live concert production presents a unique selection of movie classics - from Sergio Leone's iconic Spaghetti Westerns to modern mafia masterpieces by Francis Ford Coppola and the cult movies of Tarantino. The Danish National Symphony Orchestra and Concert Choir are conducted by Sarah Hicks in this premiere performance of authentic soundtracks by composer legends Ennio Morricone, Nino Rota, Sonny Bono, and Bernard Herrmann. Soloists for this performance are Tuva Semmingsen (mezzo), Christine Nonbo Andersen (soprano), Hans Ulrik (saxophone) and Mads Kjølby (guitars). Recorded at the DR Koncerthuset in Copenhagen, Denmark in 2018.

2026-07-16 08:21:13 +0000 UTC2026-07-16 09:47:54 +0000 UTC(1h26m)