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Schedule for Stingray Classica

Martha Argerich

Martha Argerich

Cinematic classical clips and energizing concert pieces featuring up-and-coming artists.

2026-07-14 07:16:55 +0000 UTC→2026-07-14 07:30:29 +0000 UTC(13m)
Christine Nonbo Andersen, Tuva Semmingsen, David Bateson & Steffen Bruun

Christine Nonbo Andersen, Tuva Semmingsen, David Bateson & Steffen Bruun

The Danish National Symphony Orchestra takes us on a spectacular symphonic space journey in an out-of-this-world concert program of film music. Under the direction of Dutch conductor Antony Hermus, the orchestra guides us through the musical universe, performing a selection of music from iconic sci-fi movies, such as Avatar, Gravity, Interstellar, and Star Wars, written by major composers such as John Williams, Hans Zimmer, and James Horner. Featured soloists in this concert are Tuva Semmingsen, Christine Nonbo Andersen, Steffen Bruun, and David Bateson. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in August 2021.

2026-07-14 11:47:11 +0000 UTC→2026-07-14 13:29:20 +0000 UTC(1h42m)
Nikolay Lugansky

Nikolay Lugansky

Russian pianist Nikolay Lugansky has received world-wide praise for his interpretations of the music of Sergei Rachmaninoff. In this wonderful recital, the great pianist presents works by the Russian Romantic composer as well as Ludwig van Beethoven and Alexander Glazunov. Lugansky opens his concert with Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, ‘Moonlight', followed by Alexander Glazunov's Piano Sonata No. 2 in E minor, Op. 75. Then Lugansky performs a selection of works by Rachmaninoff: Rachmaninoff's piano transcription of J. S. Bach's Partita No. 3 in E major a selection of Études-Tableaux (Nos. 1, 2, 4, and 8, Op, 33, and Nos. 5 and 6, Op. 39) Lilac (Op. 21, No. 5) Prelude in C minor, Op. 23 No. 7 and Rachmaninoff's transcription of Pyotr Ilyich Tchaikovsky's Lullaby (Op. 16 No. 1). This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on June 4, 2021.

2026-07-14 09:46:43 +0000 UTC→2026-07-14 11:31:40 +0000 UTC(1h44m)
Rodolfo Mederos, Otros Aires, Teresa Parodi & Café de los Maestros

Rodolfo Mederos, Otros Aires, Teresa Parodi & Café de los Maestros

For the audience in the famous ballroom El Palacio in Buenos Aires, the year 2012 began with tango rhythms and Argentinean folk music. This festive broadcast opens with a tango performance by dance partners Eduardo and Gloria, accompanied by the renowned ensemble Café de los Maestros. Another highlights is a performance by bandoneon player Rodolfo Mederos and his trio. In addition, the concert features a performance by Teresa Parodi, former lead singer of the Astor Piazzolla Band, accompanied by the Fernando Suárez Paz Quintet. Also on the bill is the contemporary electronic tango formation Otros Aires. Founded by Miguel Di Genova in 2003, Otros Aires combines electronic rhythms and traditional tango instruments, such as the bandoneon, piano, and guitar. On the program are compositions by Astor Piazzolla, Pedro Maffia, Pedro Laurenz, Gustavo Mozzi, and many others. Enjoy this concert of music and dance, featuring some of Argentine's tango scene's finest artists!

2026-07-14 08:01:14 +0000 UTC→2026-07-14 09:46:43 +0000 UTC(1h45m)
Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony. Beethoven wrote the work upon completion of his Symphony No. 5. Both symphonies premiered at the same legendary, all-Beethoven concert on December 22, 1808. Symphony No. 6 consists of five movements, of which the last three are played without a break. Each movement carries a title that suggests a scene from life in the countryside. The joyful atmosphere of the first three movements is interrupted by the violent fourth movement ‘Thunder, Storm', as expressed by the piccolos, brass, and timpani. As the storm recedes at the end of the movement, the tranquility returns in the final movement. This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-07-13 23:30:16 +0000 UTC→2026-07-14 00:29:45 +0000 UTC(59m)
Sarah Hicks, Danish National Symphony Orchestra, Danish National Concert Choir & Tuva Semmingsen

Sarah Hicks, Danish National Symphony Orchestra, Danish National Concert Choir & Tuva Semmingsen

This exclusive live concert production presents a unique selection of movie classics - from Sergio Leone's iconic Spaghetti Westerns to modern mafia masterpieces by Francis Ford Coppola and the cult movies of Tarantino. The Danish National Symphony Orchestra and Concert Choir are conducted by Sarah Hicks in this premiere performance of authentic soundtracks by composer legends Ennio Morricone, Nino Rota, Sonny Bono, and Bernard Herrmann. Soloists for this performance are Tuva Semmingsen (mezzo), Christine Nonbo Andersen (soprano), Hans Ulrik (saxophone) and Mads Kjølby (guitars). Recorded at the DR Koncerthuset in Copenhagen, Denmark in 2018.

2026-07-13 22:03:35 +0000 UTC→2026-07-13 23:30:16 +0000 UTC(1h26m)
Benjamin Haemhouts, Casco Phil & Geert Baeckelandt

Benjamin Haemhouts, Casco Phil & Geert Baeckelandt

Wolfgang Amadeus Mozart wrote his last completely instrumental piece in 1791. Clarinet Concerto in A Major was written for his friend Anton Stadler, who gave the first performance of it in Prague to a great reception according to the Berlin Musikalisches Wochenblatt. Today, a major part of the first movement is often used in auditions for orchestras and music schools. In this broadcast, the piece is performed by Casco Phil, a Belgian chamber orchestra led by Benjamin Haemhouts. Belgian clarinettist Geert Baeckelandt is the featured soloist.

2026-07-13 21:26:52 +0000 UTC→2026-07-13 22:03:35 +0000 UTC(36m)
Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

2006 closed with a spectacular festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmónica del Teatro Colon under Daniel Barenboim (conductor & soloist) join bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica for an extraordinary New Year's Eve show with popular tangos and Latin American orchestra classics. The old master of tango, José Carli, created enchanting new arrangements of works by Argentinean artists Astor Piazzolla, Carlos Gardel, Julio de Caro, Alberto Ginastera and Horacio Salgán. Performances by leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.

2026-07-13 19:26:24 +0000 UTC→2026-07-13 21:26:52 +0000 UTC(2h)
Zhu Xiao-Mei

Zhu Xiao-Mei

Chinese pianist Zhu Xiao-Mei performs J. S. Bach's Goldberg Variations (BWV 988) at the Leipzig Bach Festival. This June 2014 concert was recorded at St. Thomas Church, where Bach spent most time of his career as 'Thomaskantor', the musical director of the Thomanerchor church choir. The Goldberg Variations consist of one aria and a set of 30 variations. The work was first published in 1741 and was named after harpsichordist Johann Gottlieb Goldberg. In contrast to melodic variations on a theme, the Goldberg Variations do not follow the melody, but rather use the aria's bass line and chord progression. Every third variation in the series of 30 is a canon that follows an ascending pattern. The Goldberg Variations are among Bach's most celebrated works, which gained an even larger audience thanks to Glenn Gould's legendary recordings of the work in 1955 and 1981.

2026-07-13 17:47:09 +0000 UTC→2026-07-13 19:26:24 +0000 UTC(1h39m)
Evgeny Kissin, Nikolai Demidenko, Warsaw Philharmonic Orchestra & Antoni Wit

Evgeny Kissin, Nikolai Demidenko, Warsaw Philharmonic Orchestra & Antoni Wit

Antoni Wit conducts the Warsaw Philharmonic Orchestra in performances of Chopin's Piano Concertos No. 1, Op. 11 and No. 2, Op. 21. Soloists are Nikolai Demidenko and Evgeny Kissin. After performing the first concerto, Demidenko encores with Chopin's Mazurka Op. 17/4. Kissin closes the concert with Chopin's Etude Op. 10/12 and the Waltz in E minor, Op. post. This concert was part of the celebration of Chopin's 200th anniversary in 2010. Chopin composed the second concerto one year before the Concerto No. 1 and completed both works at the age of 20, before leaving his home country Poland and moving to Paris.

2026-07-13 12:15:53 +0000 UTC→2026-07-13 14:03:39 +0000 UTC(1h47m)
Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony. Beethoven wrote the work upon completion of his Symphony No. 5. Both symphonies premiered at the same legendary, all-Beethoven concert on December 22, 1808. Symphony No. 6 consists of five movements, of which the last three are played without a break. Each movement carries a title that suggests a scene from life in the countryside. The joyful atmosphere of the first three movements is interrupted by the violent fourth movement ‘Thunder, Storm', as expressed by the piccolos, brass, and timpani. As the storm recedes at the end of the movement, the tranquility returns in the final movement. This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-07-13 11:16:24 +0000 UTC→2026-07-13 12:15:53 +0000 UTC(59m)
Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

Orquesta Filamonica de Buenos Aires, Carlos Gari, Daniel Barenboim & Mora Godoy

2006 closed with a spectacular festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmónica del Teatro Colon under Daniel Barenboim (conductor & soloist) join bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica for an extraordinary New Year's Eve show with popular tangos and Latin American orchestra classics. The old master of tango, José Carli, created enchanting new arrangements of works by Argentinean artists Astor Piazzolla, Carlos Gardel, Julio de Caro, Alberto Ginastera and Horacio Salgán. Performances by leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.

2026-07-13 09:15:57 +0000 UTC→2026-07-13 11:16:24 +0000 UTC(2h)
Orquesta Sinfónica de Minería & José Areán

Orquesta Sinfónica de Minería & José Areán

Mahler's Symphony No. 10 is an unfinished work left by the composer at his death, representing his ultimate emotional journey from torment and heartbreak to an unreserved acceptance of life and human love. The symphony, built on the composer's personal anguish and existential explorations, is characterized by its deep emotional range, intricate orchestration, and epic scale, culminating in a powerful affirmation of human connection in the face of mortality. Deryck Cook completed a version of the work with the help of materials provided by Mahler's widow.

2026-07-13 07:20:38 +0000 UTC→2026-07-13 09:15:57 +0000 UTC(1h55m)
Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 4 in B-flat major, Op. 60. Count Franz von Oppersdorff adored Beethoven's Symphony No. 2 and offered the composer a large sum to write a similar work. Beethoven obliged and completed his Symphony No. 4 in the autumn of 1806. Its first performance was at a private concert in Vienna in March 1807. With its lightweight and sunny character, Symphony No. 4 pales in comparison with its revolutionary predecessor and successor. Jordan's concert was recorded at Opéra Bastille in Paris, France, in 2014.

2026-07-13 06:35:41 +0000 UTC→2026-07-13 07:20:38 +0000 UTC(44m)
Gewandhausorchester Leipzig, Andris Nelsons & Kristine Opolais

Gewandhausorchester Leipzig, Andris Nelsons & Kristine Opolais

Andris Nelsons, together with his then-wife, the great soprano Kristine Opolais and the Gewandhausorchester Leipzig present a program dedicated to Antonin Dvořák, singing the melodies that the composer hid in all layers of his music with tender, warm, soft colors. Nelsons' tempos remain calm and relaxed, allowing the omnipresent beauty of Dvořák's music to unfold and flood the Gewandhaus. The program opens with Othello, a Concert Overture for Orchestra, Op. 93. Opolais performs “Song to the Moon” from Rusalka, “Songs my Mother Taught Me” from Gypsy Songs, Op. 55/4. This is followed by the Polonaise and 'O, marno, marno to je' from Rusalka and 'Dobrá! Já mu je dám!... Jak je mi?' from Smetana's opera Dalibor. The concert closes with a performance of Dvořák's Symphony no. 9 in E Minor, Op. 95 (“From the New World”). Recorded at the Gewandhaus, Leipzig in May 2017.

2026-07-13 01:01:17 +0000 UTC→2026-07-13 03:00:15 +0000 UTC(1h58m)
Nikolay Lugansky

Nikolay Lugansky

Russian pianist Nikolay Lugansky has received world-wide praise for his interpretations of the music of Sergei Rachmaninoff. In this wonderful recital, the great pianist presents works by the Russian Romantic composer as well as Ludwig van Beethoven and Alexander Glazunov. Lugansky opens his concert with Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, ‘Moonlight', followed by Alexander Glazunov's Piano Sonata No. 2 in E minor, Op. 75. Then Lugansky performs a selection of works by Rachmaninoff: Rachmaninoff's piano transcription of J. S. Bach's Partita No. 3 in E major a selection of Études-Tableaux (Nos. 1, 2, 4, and 8, Op, 33, and Nos. 5 and 6, Op. 39) Lilac (Op. 21, No. 5) Prelude in C minor, Op. 23 No. 7 and Rachmaninoff's transcription of Pyotr Ilyich Tchaikovsky's Lullaby (Op. 16 No. 1). This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on June 4, 2021.

2026-07-12 23:00:49 +0000 UTC→2026-07-13 00:45:46 +0000 UTC(1h44m)