Bill Evans
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
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Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital's central square. The trio plays Charlie Mariano's “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.
This selection of unforgettable performances by some of the most iconic and influential male jazz and pop vocalists in history showcases these legends' unique essence. Delight in the expressive beauty and emotional depth of Chet Baker's rendition of “Time After Time” and “You Don't Know What Love Is", recorded live in Brussels, Belgium in 1964 and in Rome, Italy in 1956 respectively. Revel in Frank Sinatra's iconic version of “I've Got You Under My Skin". Immerse yourself in Dizzy Gillespie's dynamic performance of “Let Me Outta Here”, recorded live in Denmark in 1970. Enjoy Tony Bennett's unforgettable performance of “It Don't Mean A Thing (If It Ain't Got That Swing)” at London's majestic Royal Albert Hall in 1974. Let the haunting beauty of Nat King Cole's 1957 performance of “Autumn Leaves” and Louis Armstrong's performance of “Basin Street Blues” from 1959 delight you. Dean Martin's smooth vocal stylings will enthrall you as he performs the jazz standard “Wrap Your Troubles In Dreams". Witness the electrifying energy of Sammy Davis Jr.'s performance of “Too Close For Comfort”. Join us for this unforgettable musical experience that you'll surely cherish!
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival's staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1981, American singer and Grammy Award winner Al Jarreau gave an unforgettable performance for the audience of the North Sea Jazz Festival in The Hague, the Netherlands.
Lianne La Havas' performance at Casino de Paris captures the British singer-songwriter at her best: with her crystalline voice she performs soulful melodies full of sincerity. The performance is part of La Havas' 'Blood Tour', a concert tour promoting her second album 'Blood' (2015). She is accompanied by James Wyatt on keys, Adam Prendergast on bass, Giles King Ashong on drums, and Frida Touray on backing vocals.
Charles Mingus showcases an exceptional concert performed in April 1965 featuring his most celebrated lineup: Jaki Byard (piano), Dannie Richmond (drums), Johnny Coles (trumpet), Clifford Jordan (tenor sax) and the great Eric Dolphy (alto sax, flute and bass clarinet). Recorded within an eight-day span, less than three months before Dolphy's death, the three concerts showcase Mingus's visionary leadership and the band's incredible depth and diversity with unique performances and arrangements of classics including ‘So Long Eric' and the groundbreaking ‘Meditations On Integration'.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival's staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, the acclaimed jazz fusion group Mahavishnu Orchestra led by guitarist John McLaughlin took the stage at the North Sea Jazz Festival in The Hague. This third incarnation of the group featured an outstanding lineup, with Jim Beard on keyboards, Jonas Hellborg on bass, Danny Gottlieb on drums, and Bill Evans on saxophone.
Raul Midón appeared at 2017's Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón's performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind' was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
On June 4, 1962, the first Festival International de Jazz ‘Adolphe Sax' took place in the Belgian town of Dinant, where Adolphe Sax, the inventor of the saxophone, was born in 1814. Not surprisingly, most artists on the program are saxophonists. A Belgian quartet, consisting of tenor saxophonist Jacques Bailly, guitarist Willy Donni, drummer Bruno Castellucci, and bassist José Bedeur, opens the festival. The second highlight of the festival is a trio of Belgian pianist François Boland, who appeared with American bassist Jimmy Woode and Belgian drummer Freddy Rottier. They are joined by four international guest saxophonists: German tenorist Klaus Doldinger, Belgian altoist Jacques Pelzer, British altoist Derek Humble, and Austrian saxophonist Karl Drewo. Following individual solo features and a joint encore, a true saxophone legend appears on stage: veteran American tenorist Coleman Hawkins. Accompanied by his compatriots Jimmy Woode (bass) and “Kansas” Fields (drums) and French pianist George Arvanitas, Coleman Hawkins plays an hour-long concert that includes "Disorder At The Border", "Autumn Leaves", "Lover Come Back To Me", "Moonlight In Vermont", "All The Things You Are" and “Ow!”. This concert is the perfect conclusion of the first jazz festival in honor of Adolphe Sax.
This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.
Raul Midón appeared at 2017's Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón's performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind' was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!
This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.
On July 20, 2018, double bassist Christian McBride presented his band ‘New Jawn' at the Malta Jazz Festival. A five-time Grammy winner, McBride is one of the most requested, most recorded, and most respected figures in the music world today. Hailing from Philadelphia, this music luminary combines jazz, R&B, pop/rock, hip hop/neo-soul, and classical. Gracing the Malta Jazz stage with him are Nasheet Waits (drums), Marcus Strickland (tenor sax), and Josh Evans (trumpet).
Recorded in 1971 in Paris, France, Brazilian, classically trained bossa nova guitarist Baden Powell and his quartet play Pai, Lotus (written by Baden Powell), Tristeza (by Haroldo Lobo/Niltinho), Round Midnight (by Thelonious Monk), Nega do cabelo duro (by David Nasser/Rubens Soares), and Aos pes da cruz (by Zé da Zilda/Marino Pinto). Powell is joined by Ernesto Ribeiro-Gonçalves on double bass, Helio Schiavo on drums, and Alfredo Bessa on percussion.
Raul Midón appeared at 2017's Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón's performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind' was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
On June 4, 1962, the first Festival International de Jazz ‘Adolphe Sax' took place in the Belgian town of Dinant, where Adolphe Sax, the inventor of the saxophone, was born in 1814. Not surprisingly, most artists on the program are saxophonists. A Belgian quartet, consisting of tenor saxophonist Jacques Bailly, guitarist Willy Donni, drummer Bruno Castellucci, and bassist José Bedeur, opens the festival. The second highlight of the festival is a trio of Belgian pianist François Boland, who appeared with American bassist Jimmy Woode and Belgian drummer Freddy Rottier. They are joined by four international guest saxophonists: German tenorist Klaus Doldinger, Belgian altoist Jacques Pelzer, British altoist Derek Humble, and Austrian saxophonist Karl Drewo. Following individual solo features and a joint encore, a true saxophone legend appears on stage: veteran American tenorist Coleman Hawkins. Accompanied by his compatriots Jimmy Woode (bass) and “Kansas” Fields (drums) and French pianist George Arvanitas, Coleman Hawkins plays an hour-long concert that includes "Disorder At The Border", "Autumn Leaves", "Lover Come Back To Me", "Moonlight In Vermont", "All The Things You Are" and “Ow!”. This concert is the perfect conclusion of the first jazz festival in honor of Adolphe Sax.
On April 26, 2012, the world-famous vocalist Charles Bradley and his Extraordinaires grace the stage of the Cigale in Paris. Success did not come easily for the American. Before Bradley (1948-2017) even considered a career as a singer, he tried to make ends meet with countless odd jobs. Only in 1996 he finally followed in the footsteps of his great idol, soul icon James Brown. Brown and Bradley shared the talent to bring an audience to ecstasy. With his mix of funk, soul, and R&B, Bradley has developed a sound of his own, in which a keen ear might find a few traces of James Brown.
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