
Why Be Good?: Sexuality & Censorship in Early Cinema
Why Be Good?: Sexuality & Censorship in Early Cinema
2007-05-23
4.3 / 10 ( 5)

Born: 1871-02-22 in Saint Louis, Missouri, USA
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Why Be Good?: Sexuality & Censorship in Early Cinema

The Cheat

Witchcraft

Unconquered

The Yellow Ticket

Our Better Selves

Her Strange Wedding

La Rafale

For the Defense
Tennessee's Pardner

The Crystal Gazer

A Japanese Nightingale

A Gutter Magdalene

On the Level

A School for Husbands

Each Pearl a Tear

The Winning of Sally Temple

Betty to the Rescue

Common Clay

The Years of the Locust
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