The Charterhouse of Parma
La Chartreuse de Parme
Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà. Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film. Description above from the Wikipedia article Maria Michi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born: 1921-05-15 in Roma, Lazio, Italy
Showing 1 to 18 of 18 results
La Chartreuse de Parme
Blu Gang e vissero per sempre felici e ammazzati
Le ultime lettere di Jacopo Ortis
Cosa avete fatto a Solange?
La monaca di Monza
Legge di guerra
Ultimo tango a Parigi
Roma città aperta
La Rupture
Salon Kitty
Per le antiche scale
Irene, Irene
Paisà
Preludio d'amore
Mont-Dragon
Senza ragione
Fatalità
L'altra
Showing 1 to 18 of 18 results