
Hitchcock/Truffaut
Hitchcock/Truffaut

Olivier Assayas (French: [ɔlivje asajas]; born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his eclectic filmography, consisting of slow-burning period pieces, psychological thrillers, neo-noirs, and comedies. He has directed French, Spanish, and English-language films with international casts. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for Cahiers du Cinéma. There he wrote about world cinema and its film auteurs, who later influenced his work. Assayas made several short films, and made his feature debut with Disorder in 1986. He continued directing feature films, with Cold Water (1994) considered a breakthrough film in his career. It was his first film to screen at the Cannes Film Festival in the Un Certain Regard section. His followup film, Irma Vep (1996), also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for the Palme d'Or. In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006). Assayas gained acclaim for his dramas Summer Hours (2008), Clouds of Sils Maria (2014), and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director. He also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019). Description above from the Wikipedia article Olivier Assayas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born: 1955-01-25 in Paris, France
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Hitchcock/Truffaut

Chambre 999

...Men filmen är min älskarinna

Truffaut / Godard, scénario d'une rupture

Aware, Anywhere

André Téchiné, cinéaste insoumis

Les leçons du professeur Goudet

L’Œil, le pinceau et le cinématographe : naissance d'un art

Une Journée particulière
Inventaire

光陰的故事-台灣新電影

Auf der Suche nach Ingmar Bergman

In the Mood for Doyle

Corona Film Club

Art-House America: Austin Film Society

Périphérie de Demonlover

François Truffaut: Portraits volés

Lars Eidinger - Sein oder nicht Sein

Luchino Visconti, entre vérité et passion

Le Cinéma de Jean-Pierre Léaud
Showing1to20of23results