Japanscope, panorama de la nouvelle Nouvelle Vague
Japanscope, panorama de la nouvelle Nouvelle Vague
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Born: 1959-08-15 in Shizuoka, Shizuoka Prefecture, Japan
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Japanscope, panorama de la nouvelle Nouvelle Vague
シャボン玉エレジー
女囚残酷私刑
痴漢電車 後ろで発車
秋の理由
宅配妻 濡らしてまって!
痴漢電車 いやらしい行為
桃色身体検査
若妻暴行変質魔
クロス・ザ・レンズ
ふるさとポルノ娘18!種つけ祭り
泣き縄 黒髪無残
痴漢電車終点までいかせて
若妻密室暴行事件
アイ・スタンド・アローン SEX & LOVE
In The Sea of Trees
Showing 1 to 16 of 16 results