Even
Giulia, young and rebellious, drifts through her teenage years without a care in the world. But suddenly, everything shatters: a haunting silence, an unavoidable act of violence ties her unknowingly to a mysterious femicide long buried beneath the snow. A soul from the past and a living body in the present — connected through a strange kind of transference — are drawn to relive the same tragic violence, played out in two different yet eerily similar times.
Summary
“Even” (2025) follows Giulia, a young woman whose rebellious, carefree adolescence is abruptly disrupted by a disturbing act of violence and an eerie silence she cannot explain. Her ordinary life becomes entangled with a femicide committed years earlier, a crime buried beneath the snow and seemingly forgotten by the world around her. As Giulia tries to understand what has happened, she becomes connected to the spirit of a woman from the past. Through a mysterious form of transference, the two are drawn into an unsettling relationship that bridges different eras, linking a living body in the present with a soul still bound to an earlier tragedy. Their connection gradually forces the past and present to mirror one another, as buried trauma resurfaces and violence appears to repeat its patterns across time. The film centers on Giulia’s uneasy passage from youthful detachment to painful awareness, while the long-suppressed presence from the past gives the story a ghostly, emotionally charged dimension. Rather than treating its supernatural elements as simple horror devices, “Even” uses them to explore memory, grief, the persistence of violence against women, and the ways unresolved crimes continue to affect later generations. Its snowy setting and shifting sense of time create an atmosphere of isolation and dread, while the parallel stories invite questions about identity, complicity, and whether confronting the past can break its hold on the present.
