Live & Upcoming Programmes

London Symphony Orchestra, Kirill Karabits & Lucy Crowe

Ukrainian conductor Kirill Karabits leads the London Symphony Orchestra in a stunning performance of Gustav Mahler's Symphony No. 4. The soloist is soprano Lucy Crowe. Mahler's Fourth Symphony opens with the sound of sleighbells and melodies of childlike innocence. But between this deceptively playful opening and the serene finale – a child's vision of Heaven – lies a world of profound emotion and beauty. With soprano Lucy Crowe lending her vocal radiance to this extraordinary finale, the symphony's journey to bliss is complete. This performance was recorded at the Barbican Hall in London, UK, on December 8, 2021.

2025-12-09 06:00:00 +0000 UTC → 2025-12-09 07:15:00 +0000 UTC (1h15m)

Herbert Blomstedt & Gewandhausorchester Leipzig

Conductor Herbert Blomstedt and the Gewandhausorchester take us on a musical journey to the Czech Republic in this 2020 concert from Leipzig's Gewandhaus. The program opens with Bohemian composer Jan Václav Hugo Voríšek's Symphony in D major, Op. 23 (1821). Although the composition – Voríšek's only symphony – was never performed during the composer's lifetime, it has become one of his most-performed works today. Also on the program is Wolfgang Amadeus Mozart's Symphony No. 38 in D major, K. 504. This work, which premiered while Mozart was visiting Prague in 1787, is often referred to as the ‘Prague Symphony'.

2025-12-09 00:00:00 +0000 UTC → 2025-12-09 01:45:00 +0000 UTC (1h45m)

Raphael Pichon, Ensemble Pygmalion, Sabine Devieilhe & Arnaud de Pasquale

On March 23, 1783, Wolfgang Amadeus Mozart gave a successful concert at Vienna's Burgtheater that he dedicated to two sopranos: Aloysia and Josepha Weber, the sisters of his wife Constanze. The concert's program would be considered odd by today's standards. The composer's Symphony No. 35 was broken up and interspersed with other compositions, such as concertos, arias, and works for solo piano. Nearly two and a half centuries later, French soprano Sabine Devieilhe, conductor Raphaël Pichon and his Ensemble Pygmalion bring a wonderful concert inspired by that remarkable event. The program includes: ‘Allegro con spirito' of Symphony No. 35, also known as the Haffner Symphony ‘Vorrei spiegarvi, oh Dio', KV 418 ‘Schon lacht der holde Frühling', KV 580 Trio of ‘Die Schlittenfahrt' No. 3, KV 605 Deutscher Tanz No. 6, KV 571 ‘Der Hölle Rache kocht in meinem Herzen' from Mozart's opera Die Zauberflöte ‘Finale: Presto' of Symphony No. 35 ‘Nehmt meinen Dank', KV 383 and ‘Dans un bois solitaire et sombre', KV 308. This performance was recorded at Théâtre Impérial de Compiègne, in Compiègne, France.

2025-12-08 23:00:00 +0000 UTC → 2025-12-09 00:00:00 +0000 UTC (1h)

Le Poème Harmonique, Accentus, Laurence Equilbey & Emöke Barath

The Christmas Oratorio by Johann Sebastian Bach is composed of six cantatas brought together for the winter celebrations of 1734-1735. During this 2016 concert at the Philharmonie de Paris, Laurence Equilbey takes the reins of Vincent Dumestre's Poème Harmonique. The modernity of the harmonic poem and the Baroque culture of Accentus glorify the vibrant faith of this meditation, from the birth of Jesus to the visit of the Magi, masterfully orchestrated and structured by a Bach at the height of his brilliance. Soloists are Emöke Barath (soprano), Michaëla Selinger (alto), Werner Güra (tenor), and Andreas Wolf (Bass).

2025-12-08 20:00:00 +0000 UTC → 2025-12-08 23:00:00 +0000 UTC (3h)

Les Dissonances & David Grimal

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances perform Pyotr Ilyich Tchaikovsky's Symphony No. 4 in F minor, Op. 36. The composer wrote the symphony between 1877 and 1878, and dedicated it to Nadezhda von Meck – an exceptionally wealthy widow and great admirer of Tchaikovsky's music, whom the composer described as ‘my best friend'. Tchaikovsky explained in his letters that the symphony is characterization of the nature of fate. The work opens with a powerful motif in the horns and bassoons representing fate. The second movement expresses melancholy, whereas the third presents ‘fleeting images that pass through the imagination when one has begun to drink a little wine'. Although the ‘fate' motif reappears toward the end of the final movement, the movement has a festive character. This performance was recorded at La Cité de la musique in Paris in 2016.

2025-12-08 19:00:00 +0000 UTC → 2025-12-08 20:00:00 +0000 UTC (1h)

Quatuor Ebène

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer's sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven's 650 pages of sheet music. Their efforts culminated in the performance of the composer's complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven's String Quartet No. 7 in F major, Op. 59, No. 1, known as “Razumovsky” String Quartet No. 13 in B-flat major, Op. 130 and the monumental Great Fugue, Op. 133. This concert performance was recorded at Philharmonie de Paris on October 12, 2020.

2025-12-08 17:00:00 +0000 UTC → 2025-12-08 19:00:00 +0000 UTC (2h)

Mariss Jansons, Berliner Philharmoniker & Emmanuel Pahud

Joseph Haydn (1732-1809): Symphony No. 94 in G major "Surprise" - Wolfgang Amadeus Mozart (1756-1791): Flute Concerto in D major, K. 314 - Hector Berlioz (1803-1869): Symphonie fantastique Op. 14. Emmanuel Pahud (flute), Berliner Philharmoniker conductor: Mariss Jansons. The European Concert has been a tradition of the Berliner Philharmoniker since 1991. The musicians commemorate the anniversary of the orchestra's founding on May 1st, 1882, playing in different European cities. This concert was recorded in the church "Hagia Eirene" in Istanbul, Turkey.

2025-12-08 11:00:00 +0000 UTC → 2025-12-08 13:00:00 +0000 UTC (2h)

Vadim Yarkov

This stunning performance of theatrical ice dancing brings viewers into the enchanting world of Tchaikovsky's magnificent holiday classic, The Nutcracker On Ice, performed by the internationally renowned Imperial Ice Stars, and including former champion figure skaters, Vadim Yarkov and Olga Sharutenko. This very special performance and soundtrack was performed by the Manchester Symphony Orchestra, conducted by Tim A. Duncan, and filmed live in Cape Town, South Africa in 2011.

2025-12-08 09:00:00 +0000 UTC → 2025-12-08 11:00:00 +0000 UTC (2h)

Isabelle Faust

Cinematic classical clips and energizing concert pieces featuring up-and-coming artists.

2025-12-08 08:48:13 +0000 UTC → 2025-12-08 09:00:00 +0000 UTC (11m)

Roberto Abbado, Filarmonica Arturo Toscanini, Coro del Teatro Regio di Parma & Eleonora Buratto

Roberto Abbado conducts the Filarmonica Arturo Toscanini, the Coro del Teatro Regio di Parma, and four vocal soloists in an outstanding performance of Giuseppe Verdi's Messa da Requiem, recorded at the Parco Ducale di Parma, Italy as part of Festival Verdi 2020. The soloists are soprano Eleonora Buratto, mezzosoprano Anita Rachvelishvili, tenor Giorgio Berrugi, and bass Roberto Tagliavini. When his fellow composer Gioachino Rossini died in 1868, Verdi proposed to compose a ‘Messa per Rossini' in his honor, to be written by himself and several other Italian composers. Verdi wrote the concluding movement, ‘Libera me'. When the premiere was cancelled, the project lay dormant. When Italian poet Alessandro Manzoni passed away a few years later, Verdi revisited his plan to compose a requiem – this time in honor of the poet he so greatly admired. As an opera composer, Verdi knew better than anyone how to infuse the work with drama, as is evident in the revised version of his ‘Libera me'. The famous, powerful ‘Dies Irae' especially stands out, depicting the horrors of the Last Judgement.

2025-12-08 07:00:00 +0000 UTC → 2025-12-08 08:48:13 +0000 UTC (1h48m)

Quatuor Ebène

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer's sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven's 650 pages of sheet music. Their efforts culminated in the performance of the composer's complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven's String Quartet No. 2 in G major, Op. 18, No. 2 String Quartet No. 16 in F major, Op. 135 and String Quartet No. 14 in C-sharp minor, Op. 131. This concert was recorded at Philharmonie de Paris on December 16, 2020.

2025-12-08 05:00:00 +0000 UTC → 2025-12-08 07:00:00 +0000 UTC (2h)

David Grimal & Les Dissonances

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances present Ludwig van Beethoven's Symphony No. 3 in E-flat major, Op. 55, ‘Eroica'. Admiring the ideals of the French Revolution, Beethoven initially dedicated the symphony to Napoleon Bonaparte. However, upon hearing that Napoleon had crowned himself Emperor, Beethoven violently erased Napoleon's name from the manuscript. Composed in 1803-04 in a style that breaks with tradition, the symphony is regarded as a turning point in Beethoven's oeuvre as well as Western music history. Symphony No. 3 is longer in duration than any previous symphony. The work opens with two powerful chords that replace the more customary long introduction. The lower strings then introduce the main theme. The slow second movement is a Funeral March, followed by a quick Scherzo. The fourth and final movement is dominated by a theme from Beethoven's ballet music for ‘The Creatures of Prometheus'. This performance was recorded at Opéra de Dijon, France, in 2012.

2025-12-07 22:45:00 +0000 UTC → 2025-12-07 23:45:00 +0000 UTC (1h)

Daniel Barenboim

Cinematic classical clips and energizing concert pieces featuring up-and-coming artists.

2025-12-07 22:33:41 +0000 UTC → 2025-12-07 22:45:00 +0000 UTC (11m)

West-Eastern Divan Orchestra & Daniel Barenboim

To transcend the political and ideological divides between their respective countries, Daniel Barenboim, an Argentinian Jew and Israel's most famous pianist and conductor, and Edward Said, a Palestinian philosopher and Christian, created the West-Eastern Divan Orchestra, an ensemble of young musicians between the ages of 13 and 26 who have as many Israelis as there are Arabs. Despite this great symbolism, the objectives and ambitions of the West-Eastern Divan Orchestra are first and foremost musical: the political divisions of the Middle East are setting aside the time of the union of these young musical talents which speaks volumes about the power of cultural interaction. This performance delivered to Victoria Hall in Geneva features two famous masterpieces: Beethoven's Piano Concerto No. 3 and Tchaikovsky's Symphony No. 5. The concert ends with the Sad Waltz of Sibelius and the opening of La Forza del Destino of Verdi.

2025-12-07 20:30:00 +0000 UTC → 2025-12-07 22:33:41 +0000 UTC (2h3m)

Soloists of the Lucerne Festival Orchestra

Cinematic classical clips and energizing concert pieces featuring up-and-coming artists.

2025-12-07 20:17:49 +0000 UTC → 2025-12-07 20:30:00 +0000 UTC (12m)

The Philharmonics

Chamber music ensemble The Philharmonics pays tribute to the music of Vienna in this March 9, 2011 concert from Vienna's Café Sperl. The ensemble, which consists of musicians from the Vienna Philharmonic and the Berlin Philharmonic, performs arrangements of five popular waltzes by Johann Straus II. Among them are Kaiser-Walzer, Op. 437, and Schatz-Walzer, Op. 418, from the operetta The Gypsy Baron. In May 1921, the likes of Arnold Schönberg, Alban Berg, and Anton Webern wrote these chamber music arrangements to raise funds for their Society for Private Musical Performances. Although both the concert and the auction of the scores were very successful, the Society eventually went under. In addition to these pieces by Strauss, The Philharmonics perform works by Fritz Kreisler, Leopold Godowsky, as well as The Philharmonics's first violinist, Tibor Kováč. The program comes to an end with Godowsky's tribute to the city: Alt Wien.

2025-12-07 19:00:00 +0000 UTC → 2025-12-07 20:17:49 +0000 UTC (1h17m)

Ivan Fischer & Budapest Festival Orchestra

Iván Fischer leads his Budapest Festival Orchestra in an exciting concert program consisting of works by J. S. Bach, Béla Bartók, and Johannes Brahms. The program opens with Bach's Brandenburg Concerto No. 3 in G major, BWV 1048. This is followed by one of Bartók's best-known pieces: Music for strings, percussion and celesta. Remarkable is the work's instrumentation: Bartók divided the strings into two groups that are placed on opposite sides of the stage, to create antiphonal effects. The program ends with Brahms's Symphony No. 3 in F major, Op. 90. This performance was recorded at the Béla Bartók National Concert Hall in Budapest, Hungary, on December 4, 2017.

2025-12-07 17:00:00 +0000 UTC → 2025-12-07 19:00:00 +0000 UTC (2h)

Mariss Jansons, Berliner Philharmoniker & Emmanuel Pahud

Joseph Haydn (1732-1809): Symphony No. 94 in G major "Surprise" - Wolfgang Amadeus Mozart (1756-1791): Flute Concerto in D major, K. 314 - Hector Berlioz (1803-1869): Symphonie fantastique Op. 14. Emmanuel Pahud (flute), Berliner Philharmoniker conductor: Mariss Jansons. The European Concert has been a tradition of the Berliner Philharmoniker since 1991. The musicians commemorate the anniversary of the orchestra's founding on May 1st, 1882, playing in different European cities. This concert was recorded in the church "Hagia Eirene" in Istanbul, Turkey.

2025-12-07 11:00:00 +0000 UTC → 2025-12-07 13:00:00 +0000 UTC (2h)

Vadim Yarkov

This stunning performance of theatrical ice dancing brings viewers into the enchanting world of Tchaikovsky's magnificent holiday classic, The Nutcracker On Ice, performed by the internationally renowned Imperial Ice Stars, and including former champion figure skaters, Vadim Yarkov and Olga Sharutenko. This very special performance and soundtrack was performed by the Manchester Symphony Orchestra, conducted by Tim A. Duncan, and filmed live in Cape Town, South Africa in 2011.

2025-12-07 09:00:00 +0000 UTC → 2025-12-07 11:00:00 +0000 UTC (2h)

Isabelle Faust

Cinematic classical clips and energizing concert pieces featuring up-and-coming artists.

2025-12-07 08:48:13 +0000 UTC → 2025-12-07 09:00:00 +0000 UTC (11m)