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Live & Upcoming Programmes

Louis Armstrong

Louis Armstrong

Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, Armstrong's manager Joe Glaser dissolved the Armstrong big band on August 13, 1947 and established a six-piece small group. This group was called the All Stars, and in 1964 Louis Armstrong recorded his biggest-selling record, Hello, Dolly! He made assorted television appearances, especially in the 1950s and 1960s – the recorded film was a TV Show in Australia when Armstrong was at the peak of his career. Armstrong kept up his busy tour schedule until a few years before his death in 1971. He also toured Africa, Europe, and Asia under sponsorship of the US State Department with great success, earning the nickname ‘Ambassador Satch'.

2025-12-04 16:59:40 +0000 UTC→2025-12-04 18:02:42 +0000 UTC(1h3m)
Dizzy Gillespie, Tony Coe, Derek Humble & Billy Mitchell

Dizzy Gillespie, Tony Coe, Derek Humble & Billy Mitchell

American jazz trumpeter, composer, and bandleader Dizzy Gillespie (1917-1993) was one of the seminal figures of the bebop movement. He fuses all musical forms rooted in African culture, such as music from Cuba, Latin America and the Caribbean, into his music. On November 4, 1970 he played a concert in Denmark with the Kenny Clarke/Francy Boland Big Band, performing Con Alma, Brother K, Now Hear My Meanin', Manteca, Let Me Outta Here, and Things Are Here.

2025-12-04 16:32:15 +0000 UTC→2025-12-04 16:43:45 +0000 UTC(11m)
Laurent de Wilde

Laurent de Wilde

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, French pianist Laurent de Wilde performed his tribute to jazz icon Thelonious Monk at Jazz à Vienne. Alongside bassist Jérôme Regard and drummer Donald Kontomanou, De Wilde gives a respectful and engaging homage built upon 20 years of study.

2025-12-04 14:59:43 +0000 UTC→2025-12-04 16:32:15 +0000 UTC(1h32m)
Junior Mance, Geoff Keezer, Bill Charlap & Alex Wilson

Junior Mance, Geoff Keezer, Bill Charlap & Alex Wilson

When renowned jazz pianists of the old and new school meet at a "Solo Piano Summit," audiences are treated to many an interesting musical surprise. The "Solo Piano Summit" brings together a handful of top pianists with different musical backgrounds: Jacky Terrasson, Junior Mance, Geoff Keezer, Bill Charlap and Alex Wilson. Besides solo performances the all-stars used the occasion for spontaneous interplay, improvisation and a fantastic finale - in short for the pleasure of virtuoso jazz piano playing.

2025-12-04 09:14:57 +0000 UTC→2025-12-04 11:28:52 +0000 UTC(2h13m)
Kenny Barron

Kenny Barron

Pianist Kenny Barron's June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine's Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

2025-12-04 09:03:01 +0000 UTC→2025-12-04 09:14:57 +0000 UTC(11m)
Louis Armstrong

Louis Armstrong

Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, Armstrong's manager Joe Glaser dissolved the Armstrong big band on August 13, 1947 and established a six-piece small group. This group was called the All Stars, and in 1964 Louis Armstrong recorded his biggest-selling record, Hello, Dolly! He made assorted television appearances, especially in the 1950s and 1960s – the recorded film was a TV Show in Australia when Armstrong was at the peak of his career. Armstrong kept up his busy tour schedule until a few years before his death in 1971. He also toured Africa, Europe, and Asia under sponsorship of the US State Department with great success, earning the nickname ‘Ambassador Satch'.

2025-12-04 08:00:00 +0000 UTC→2025-12-04 09:03:01 +0000 UTC(1h3m)
Joe Turner, Kenny Clarke, Don Byas & Art Simmons

Joe Turner, Kenny Clarke, Don Byas & Art Simmons

This vintage program, ‘Jazz Marmalade', shows expatriate American musicians plying their trade in two Parisian jazz clubs in 1962. First, American stride pianist Joe Turner (often confused with blues shouter ‘Big' Joe Turner) opens this atmospheric broadcast with a swinging piano-bass duet recorded at the Mars Club. Joe Turner (1907–1990) would remain in Paris for the rest of his life. From the American-owned Mars Club just off the Champs-Élysées, a hangout for showbiz people and expatriate Americans in Paris, the program cuts to the Blue Note. There, a Paris-based American quartet that includes drummer Kenny Clarke, organ player Lou Bennett, and tenor saxophonist Don Byas performs ‘Salut Les Copines'. Returning to the Mars Club, the American jazz trio of house pianist Art Simmons (1926–2018) performs a jaunty take on ‘C-Jam Blues'. Rounding off the program at the Blue Note, the quartet of drummer Kenny Clarke, organist Lou Bennett, and tenor saxophonist Don Byas returns for a swinging ‘April in Paris'. These recordings offer an invaluable glimpse into expatriate American jazz-making in Paris in the early 1960s.

2025-12-04 07:29:54 +0000 UTC→2025-12-04 08:00:00 +0000 UTC(30m)
Charles Gayle, Manolo Cabras & Giovanni Barcella

Charles Gayle, Manolo Cabras & Giovanni Barcella

Charles Gayle was born in the United States. Gayle came to prominence in the 1990s after a few decades of obscurity, resulting from him living as a homeless man playing in New York City's streets and subways. Although the saxophone is his main instrument, free-jazz man Gayle also plays the piano, bass clarinet, bass, and percussion instrument. Together with Manolo Cabras on bass and Giovanni Barcella on drums, Charles Gayle performs at The MotorMusic Jazz Sessions.

2025-12-04 06:14:56 +0000 UTC→2025-12-04 07:29:54 +0000 UTC(1h14m)
John Scofield

John Scofield

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival's staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, multi-talented American guitarist John Scofield and his band performed an electrifying concert at the North Sea Jazz Festival in The Hague. First known for playing with Miles Davis, Scofield shows here that he earned that pedigree.

2025-12-04 03:44:23 +0000 UTC→2025-12-04 04:50:23 +0000 UTC(1h6m)
Stan Getz

Stan Getz

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound' because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America's top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

2025-12-03 20:44:34 +0000 UTC→2025-12-03 22:44:18 +0000 UTC(1h59m)
Duke Ellington

Duke Ellington

In 1956, Duke Ellington and his Orchestra performed a legendary set at the third annual Newport Jazz Festival. It was tenor saxophonist Paul Gonsalves' outstanding 27-chorus solo on “Diminuendo and Crescendo in Blue” that revitalized Ellington's career. The success generated during that performance carried him for the rest of his life. By 1973, festivals carrying the Newport name were organized all over the world. Less than a year before his death, Ellington and his Orchestra, with Gonsalves still in the fold, appeared in Brussels to deliver a timeless performance before a highly appreciative crowd.

2025-12-03 19:29:36 +0000 UTC→2025-12-03 20:44:34 +0000 UTC(1h14m)
Dexter Gordon, George Gruntz, Guy Pedersen & Daniel Humair

Dexter Gordon, George Gruntz, Guy Pedersen & Daniel Humair

Dexter Gordon: Live in '63 & '64 features three concerts filmed in Holland, Switzerland, and Belgium that highlight the bebop legend's classic style and silky tone. These shows feature legendary side musicians such as Art Taylor (drums) and Kenny Drew (piano), and jazz classics “Blues Walk”, “A Night In Tunisia”, “Body And Soul”, and others. One of the most influential saxophonists in jazz history, Dexter Gordon is captured in sharp form and style in this 70-minute tour de force.

2025-12-03 16:44:43 +0000 UTC→2025-12-03 18:00:12 +0000 UTC(1h15m)
Paco de Lucía

Paco de Lucía

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

2025-12-03 14:59:45 +0000 UTC→2025-12-03 16:36:24 +0000 UTC(1h36m)