Schedule for Stingray Classica

Luca Vignali, Angelo De Angelis, Carmine Pinto & Eliseo Smordoni

Luca Vignali, Angelo De Angelis, Carmine Pinto & Eliseo Smordoni

Luca Vignali (oboe), Angelo De Angelis (clarinet), Carmine Pinto (horn), Eliseo Smordoni (bassoon), and Linda Di Carlo (piano) perform Ludwig van Beethoven's Quintet for piano and winds in E-flat major, Op. 16. The piece, completed in 1796, is assumed to have been modelled on Mozart's Quintet for piano and winds, K. 452. Both quintets are scored for the same unusual instrument combination, are in the same key, and feature the same three-movement structure. A marked difference is that Beethoven, as a piano virtuoso, wrote the piano parts to highlight the strengths of his playing. Besides, the composer regularly places this instrument in the center of attention. Beethoven published the work in 1801 in two versions: as a quintet for piano and winds, and as a quartet for piano and strings (also designated Op. 16). This performance was recorded at Perugia's Auditorium Santa Cecilia, Italy, on June 23, 2022.

2026-01-13 13:29:56 +0000 UTC2026-01-13 14:14:55 +0000 UTC(44m)
Thomas Zehetmair, Ivan Fischer & Budapest Festival Orchestra

Thomas Zehetmair, Ivan Fischer & Budapest Festival Orchestra

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

2026-01-13 14:14:55 +0000 UTC2026-01-13 16:14:52 +0000 UTC(1h59m)
Luca Vignali, Angelo De Angelis, Carmine Pinto & Eliseo Smordoni

Luca Vignali, Angelo De Angelis, Carmine Pinto & Eliseo Smordoni

Luca Vignali (oboe), Angelo De Angelis (clarinet), Carmine Pinto (horn), Eliseo Smordoni (bassoon), and Linda Di Carlo (piano) perform Ludwig van Beethoven's Quintet for piano and winds in E-flat major, Op. 16. The piece, completed in 1796, is assumed to have been modelled on Mozart's Quintet for piano and winds, K. 452. Both quintets are scored for the same unusual instrument combination, are in the same key, and feature the same three-movement structure. A marked difference is that Beethoven, as a piano virtuoso, wrote the piano parts to highlight the strengths of his playing. Besides, the composer regularly places this instrument in the center of attention. Beethoven published the work in 1801 in two versions: as a quintet for piano and winds, and as a quartet for piano and strings (also designated Op. 16). This performance was recorded at Perugia's Auditorium Santa Cecilia, Italy, on June 23, 2022.

2026-01-13 13:29:56 +0000 UTC2026-01-13 14:14:55 +0000 UTC(44m)
Les Dissonances & David Grimal

Les Dissonances & David Grimal

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances' string quartet – consisting of David Grimal (violin), Hans Peter Hofmann (violin), David Gaillard (viola), and Xavier Phillips (cello) – performs Franz Schubert's String Quartet No. 15 in G major, D. 887, Op. 161. Schubert composed this work, his final string quartet, in a mere ten days in June 1826. However, this highly original piece, characterized by its restless shifts between major and minor, was not published until after Schubert's death in 1851. This performance was recorded at Cité de la Musique in Paris, France, in 2014.

2026-01-13 12:29:57 +0000 UTC2026-01-13 13:29:56 +0000 UTC(59m)
Tuva Semmingsen, Klaus Tönshoff, Danish National Symphony Orchestra & DR Big Band

Tuva Semmingsen, Klaus Tönshoff, Danish National Symphony Orchestra & DR Big Band

Musicians of the Danish National Symphony Orchestra, the DR Big Band, and the Danish National Vocal Ensemble join forces under the baton of Klaus Tönshoff in this dazzling concert featuring great songs from black and white cinema. Norwegian mezzosoprano Tuva Semmingsen sings ‘Diamonds Are A Girl's Best Friend', from Gentlemen Prefer Blondes, ‘My Favorite Things' from The Sound of Music, ‘Over the Rainbow' from The Wizard of Oz, ‘Moon River' from Breakfast at Tiffany's, and many other unforgettable hits. This concert performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in June 2020.

2026-01-13 11:29:57 +0000 UTC2026-01-13 12:29:57 +0000 UTC(1h)
Vadim Yarkov

Vadim Yarkov

This stunning performance of theatrical ice dancing brings viewers into the enchanting world of Tchaikovsky's magnificent holiday classic, The Nutcracker On Ice, performed by the internationally renowned Imperial Ice Stars, and including former champion figure skaters, Vadim Yarkov and Olga Sharutenko. This very special performance and soundtrack was performed by the Manchester Symphony Orchestra, conducted by Tim A. Duncan, and filmed live in Cape Town, South Africa in 2011.

2026-01-13 09:30:00 +0000 UTC2026-01-13 11:29:57 +0000 UTC(1h59m)
Leonardo García Alarcón, Cappella Mediterranea & Mariana Flores

Leonardo García Alarcón, Cappella Mediterranea & Mariana Flores

Argentinian conductor and harpsichordist Leonardo García Alarcón leads his ensemble Cappella Mediterranea in a program of Italian Baroque music. The ensemble performs some of the finest Baroque pieces composed by Francesco Cavalli, a prominent composer in 17th-century Venice, and two of his famous students, Barbara Strozzi and Antonia Bembo. Argentinian soprano Mariana Flores presents the vocal works. On the program are ‘Mira questi due lumi' from Cavalli's Le nozze di Teti e di Peleo, ‘Dimmi, Amor, che farò' from L'Oristeo, ‘Sinfonia della notte' from L'Egisto, and ‘E vuol dunque Ciprigna' from Ercole Amante ‘M'ingannasti in verità' from Bembo's Produzioni armoniche consacrate a Luigi XIV Strozzi's Sino alla morte, Che si può fare, Lagrime mie, L'amante segreto, and è Pazzo il moi core Biagio Marini's La Romanesca Tarquinio Merula's Aria Sopra La Cieccona and Dario Castello's Sonata Seconda. This performance was recorded at the magnificent Église Notre-Dame of Sablé-sur-Sarthe, France, on August 26, 2020.

2026-01-13 03:29:42 +0000 UTC2026-01-13 05:00:00 +0000 UTC(1h30m)
Tim Weiss, Arctic Philharmonic, Berit Norbakken Solset & Øystein Moen

Tim Weiss, Arctic Philharmonic, Berit Norbakken Solset & Øystein Moen

‘A Descent into the Maelström' (1841) is American writer Edgar Allan Poe's short story of two fishermen caught in torrents raging between the mountainous islands of Lofoten, inside the Arctic Circle of northern Norway. After a treacherous whirlpool drags their boat down, only one of them survives. American composer Philipp Glass based his choral work for the Australian Dance Theatre on this story. The piece was performed at the Adelaide Festival of Arts in 1986. Beacon Isle Films recorded an arrangement of Glass's work for symphony orchestra, performed by the Arctic Philharmonic Orchestra and Choir conducted by Tim Weiss. Soprano Berit Norbakken Solset is the soloist. The Artic Philharmonic Orchestra is the world's youngest and northernmost professional orchestral institution, presenting circa 150 performances and concerts each year. This 2019 recording was made against the backdrop of Lofoten's spectacular landscape: the very surroundings that inspired Poe's story.

2026-01-13 01:29:43 +0000 UTC2026-01-13 03:17:07 +0000 UTC(1h47m)
Gewandhausorchester Leipzig, Andris Nelsons & Kristine Opolais

Gewandhausorchester Leipzig, Andris Nelsons & Kristine Opolais

Andris Nelsons, together with his then-wife, the great soprano Kristine Opolais and the Gewandhausorchester Leipzig present a program dedicated to Antonin Dvořák, singing the melodies that the composer hid in all layers of his music with tender, warm, soft colors. Nelsons' tempos remain calm and relaxed, allowing the omnipresent beauty of Dvořák's music to unfold and flood the Gewandhaus. The program opens with Othello, a Concert Overture for Orchestra, Op. 93. Opolais performs “Song to the Moon” from Rusalka, “Songs my Mother Taught Me” from Gypsy Songs, Op. 55/4. This is followed by the Polonaise and 'O, marno, marno to je' from Rusalka and 'Dobrá! Já mu je dám!... Jak je mi?' from Smetana's opera Dalibor. The concert closes with a performance of Dvořák's Symphony no. 9 in E Minor, Op. 95 (“From the New World”). Recorded at the Gewandhaus, Leipzig in May 2017.

2026-01-12 23:29:46 +0000 UTC2026-01-13 01:29:43 +0000 UTC(1h59m)
Sir Simon Rattle & London Symphony Orchestra

Sir Simon Rattle & London Symphony Orchestra

Sir Simon Rattle conducts the London Symphony Orchestra in a performance of Franz Schubert's Symphony No. 9 in C Major, D. 944. Also known as The Great, is the final symphony completed by Schubert. Unusually long for a symphony of its time, a typical performance of The Great lasts around one hour. The work was found to be very difficult for orchestras of the day because of its extremely lengthy woodwind and string parts. This performance is recorded at St. Luke's, London on January 7th, 2021.

2026-01-12 22:14:49 +0000 UTC2026-01-12 23:29:46 +0000 UTC(1h14m)
Vasilii Andreev

Vasilii Andreev

The award-winning Imperial Ice Stars are 26 Olympic, World, European and National Championship skaters, who jointly hold over 250 competition medals, performing theatrical ice dancing on a frozen theatre stage. The Imperial Ice Stars have received five-star praise from critics and standing ovations from audiences at some of the world's most prestigious venues - London's Royal Albert Hall and Sadler's Wells, Singapore's Esplanade Theatre, Montreal's Place des Arts and Cape Town's Artscape. This stunning performance, filmed at the Melbourne Theatre Company in Australia, offers a new look on the secular tale of Sleeping beauty, with the original music of Pyotr Ilyich Tchaikovsky (1840-1893).

2026-01-12 15:29:53 +0000 UTC2026-01-12 17:29:52 +0000 UTC(1h59m)
Philippe Jordan & Orchestre de l'Opéra national de Paris

Philippe Jordan & Orchestre de l'Opéra national de Paris

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, Jordan conducts Beethoven's Symphony No. 3 in E-flat major, Op. 55, ‘Eroica'. Composed in 1803 and 1804, this symphony is regarded as a major turning point in Beethoven's oeuvre as well as Western music history. Symphony No. 3 is longer in duration than any previous symphony. The customary long introduction is replaced by two powerful chords, followed by the introduction of the main theme by the lower strings. The slow second movement is a Funeral March, followed by a quick Scherzo. The fourth and final movement is dominated by a theme from Beethoven's ballet music for ‘The Creatures of Prometheus'. This performance was recorded at Opéra Bastille in Paris, France, in 2014.

2026-01-12 14:14:54 +0000 UTC2026-01-12 15:29:53 +0000 UTC(1h14m)
Herbert Blomstedt & Gewandhausorchester Leipzig

Herbert Blomstedt & Gewandhausorchester Leipzig

Conductor Herbert Blomstedt and the Gewandhausorchester take us on a musical journey to the Czech Republic in this 2020 concert from Leipzig's Gewandhaus. The program opens with Bohemian composer Jan Václav Hugo Voríšek's Symphony in D major, Op. 23 (1821). Although the composition – Voríšek's only symphony – was never performed during the composer's lifetime, it has become one of his most-performed works today. Also on the program is Wolfgang Amadeus Mozart's Symphony No. 38 in D major, K. 504. This work, which premiered while Mozart was visiting Prague in 1787, is often referred to as the ‘Prague Symphony'.

2026-01-12 12:29:56 +0000 UTC2026-01-12 14:14:54 +0000 UTC(1h44m)
Philippe Jordan, Orchestre de l'Opéra national de Paris, Choeur de l'Opéra national de Paris & Ricarda Merbeth

Philippe Jordan, Orchestre de l'Opéra national de Paris, Choeur de l'Opéra national de Paris & Ricarda Merbeth

Swiss conductor Philippe Jordan and the Orchestre de l'Opéra national de Paris recorded all of Ludwig van Beethoven's symphonies in 2014-2015. In this program, maestro Jordan presents Beethoven's final symphony: Symphony No. 9 in D minor, Op. 125. He conducts the Orchestre and Choeurs de l'Opéra national de Paris and four vocal soloists Ricarda Merbeth (soprano), Daniela Sindram (mezzosoprano), Robert Dean Smith (tenor), and Günther Groissböck (bass). Beethoven composed his last Symphony when his hearing had all but gone, between 1822 and 1824. Symphony No. 9 is the longest and most ambitious of Beethoven's symphonies. Most striking is the piece's finale movement, which includes a choir and four vocal soloists singing a setting of Friedrich Schiller's poem ‘An die Freude' (Ode to Joy). This performance was recorded at Opéra Bastille in Paris, France, in 2015.

2026-01-12 10:59:57 +0000 UTC2026-01-12 12:29:56 +0000 UTC(1h29m)
Kirill Karabits, Russian National Orchestra & Mikhail Pletnev

Kirill Karabits, Russian National Orchestra & Mikhail Pletnev

Pianist Mikhail Pletnev is accompanied by the Russian National Orchestra led by Kirill Karabits in a performance of Camille Saint-Saëns's Piano Concerto No. 2, Op. 22. At its premiere in 1868, the orchestra was led by Anton Rubinstein, with the composer himself at the piano. The current concert was recorded at the Moscow Philharmonic Society and opens with a performance of Sergei Prokofiev's symphonic picture 'Dreams'. The concert was part of the Ninth Russian National Orchestra Grand Festival from 2017.

2026-01-12 09:59:58 +0000 UTC2026-01-12 10:48:32 +0000 UTC(48m)
London Symphony Orchestra, Gianandrea Noseda, Roman Simovic & David Cohen

London Symphony Orchestra, Gianandrea Noseda, Roman Simovic & David Cohen

Italian conductor Gianandrea Noseda leads the combined forces of the Music Academy KestonMAX fellows and London Symphony Orchestra (LSO) in Ludwig van Beethoven's Triple Concerto in C major, Op. 56, and Hector Berlioz's Symphonie Fantastique, Op. 14. Beethoven's Concerto for Violin, Cello, and Piano in C major, commonly known as the Triple Concerto, was composed from 1803 to 1804. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. Berlioz's Symphonie Fantastique (‘Episode in the Life of an Artist … in Five Sections') is a programmatic symphony written in 1830, telling the story of a gifted artist who, in the depths of hopelessness and despair because of his unrequited love for a woman, has poisoned himself with opium. This concert was recorded at LSO St. Luke's in London, UK, on November 20, 2022.

2026-01-12 03:14:45 +0000 UTC2026-01-12 05:00:00 +0000 UTC(1h45m)
Vadim Yarkov

Vadim Yarkov

This stunning performance of theatrical ice dancing brings viewers into the enchanting world of Tchaikovsky's magnificent holiday classic, The Nutcracker On Ice, performed by the internationally renowned Imperial Ice Stars, and including former champion figure skaters, Vadim Yarkov and Olga Sharutenko. This very special performance and soundtrack was performed by the Manchester Symphony Orchestra, conducted by Tim A. Duncan, and filmed live in Cape Town, South Africa in 2011.

2026-01-12 01:14:47 +0000 UTC2026-01-12 03:14:45 +0000 UTC(1h59m)
Les Dissonances & David Grimal

Les Dissonances & David Grimal

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances present Johannes Brahms's Symphony No. 2 in D major, Op. 73. Whereas it took the composer over a decade to complete his first symphony, he penned his Symphony No. 2 in just a few months, during his summer sojourn in the restful Austrian village of Pörtschach in 1877. Nicknamed his ‘Pastoral' symphony, the work is arguably the most sunny and optimistic of Brahms's four symphonies. Lyrical in character, it features joyful melodies. This performance was recorded at Philharmonie de Paris, France, in 2015.

2026-01-12 00:14:51 +0000 UTC2026-01-12 01:14:47 +0000 UTC(59m)