Dizzy Gillespie
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
Showing 1 to 20 of 455 results
The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival's staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. Back in 1981, legendary American singer James Brown gave an unforgettable performance at the North Sea Jazz Festival in The Hague. The "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1" was a major force in 20th century popular music, influencing many musicians in numerous genres.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
Cannonball Adderley: Live in '63 boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet), and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass), and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones' "Jessica's Day" leaps from the gate with a huge big band sound that is extraordinary for only six musicians. This recording is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz. He was a bluesy jazzman who could play anything in superb fashion.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
American jazz trumpeter, composer, and bandleader Dizzy Gillespie (1917-1993) was one of the seminal figures of the bebop movement. He fuses all musical forms rooted in African culture, such as music from Cuba, Latin America and the Caribbean, into his music. On November 4, 1970 he played a concert in Denmark with the Kenny Clarke/Francy Boland Big Band, performing Con Alma, Brother K, Now Hear My Meanin', Manteca, Let Me Outta Here, and Things Are Here.
Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, French pianist Laurent de Wilde performed his tribute to jazz icon Thelonious Monk at Jazz à Vienne. Alongside bassist Jérôme Regard and drummer Donald Kontomanou, De Wilde gives a respectful and engaging homage built upon 20 years of study.
Antonio Faraò features prominently in the rich group of talented Italian pianists. He is the winner of the 1998 prestigious Concours Martial Solal, awarded by Herbie Hancock, and he has made his mark as a player of elegance and lyricism. This has allowed him to collaborate with the best European and American musicians. In his album ‘Evan', recorded in the USA, he leads an all-star band, notably starring Joe Lovano on tenor. In this particular recording at Jazz à Ramatuelle, he appears at the Theatre de Verdure in the company of another sax legend - Dave Liebman, a musician of unfailing generosity and himself the repository of more than 40 years of modern jazz history. With refined ballads and feline groove, this meeting sparkles, perhaps even lighting up some new stars in the night above Ramatuelle.
Cannonball Adderley: Live in '63 boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet), and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass), and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones' "Jessica's Day" leaps from the gate with a huge big band sound that is extraordinary for only six musicians. This recording is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz. He was a bluesy jazzman who could play anything in superb fashion.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
American jazz trumpeter, composer, and bandleader Dizzy Gillespie (1917-1993) was one of the seminal figures of the bebop movement. He fuses all musical forms rooted in African culture, such as music from Cuba, Latin America and the Caribbean, into his music. On November 4, 1970 he played a concert in Denmark with the Kenny Clarke/Francy Boland Big Band, performing Con Alma, Brother K, Now Hear My Meanin', Manteca, Let Me Outta Here, and Things Are Here.
Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, French pianist Laurent de Wilde performed his tribute to jazz icon Thelonious Monk at Jazz à Vienne. Alongside bassist Jérôme Regard and drummer Donald Kontomanou, De Wilde gives a respectful and engaging homage built upon 20 years of study.
Charles Gayle was born in the United States. Gayle came to prominence in the 1990s after a few decades of obscurity, resulting from him living as a homeless man playing in New York City's streets and subways. Although the saxophone is his main instrument, free-jazz man Gayle also plays the piano, bass clarinet, bass, and percussion instrument. Together with Manolo Cabras on bass and Giovanni Barcella on drums, Charles Gayle performs at The MotorMusic Jazz Sessions.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1990, American flautist Herbert Jay Solomon, better known by his stage name Herbie Mann, was one of the artists appearing here. Together with Marc Cohen on piano, Romero Lubambo on guitar, Paul Socolow on bass, and both Ricky Sebastian and Cyro Baptista on percussion, Herbie Mann performs his infectious take on Brazilian-inspired music in this concert titled 'Jasil Brazz'.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
The documentary The Story of Jazz is a seamless array of performances, commentary, and compelling historic insights about jazz, zooming in on the cross-cultural influences that produced this constantly evolving and enduring music. Many call jazz the greatest art form of the 20th century. This absorbing weave of sounds, rare film clips, stills and interviews shows how this truly American expression spread to become a universal, musical language, from the New Orleans traditions, stride, swing, boogie woogie, big band, jump band, blues, bebop, Afro-Cuban, cool, and free-form, to jazz vocalists and dancers… Never before have the filmed comments of so many important great jazz artists been assembled for one project, and never before has the history of jazz been told as vividly and with such attention to historic detail.
An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.
The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On May 5, 1957, jazz impresario Norman Granz presented his Jazz at the Philharmonic tour at the Concertgebouw in Amsterdam. The Canadian pianist Oscar Peterson and his trio of guitarist Herb Ellis and bassist Ray Brown are later joined by trumpeter Roy Eldridge and drummer Jo Jones. As an added attraction, American violinist Stuff Smith joins the proceedings. American singer Ella Fitzgerald, accompanied by pianist Don Abney, Ellis, Brown and Jones, hits her vocal peak in a stunning set that culminates in a jam session of It Don't Mean A Thing (If It Ain't Got That Swing) with the entire ensemble.
American trumpeter Miles Davis (1926-1991) was a pioneering jazz musician from the late 1940s to the late 1980s. His influence on 20th century music is hard to overstate, as he trailblazed bebop, cool jazz, hardbop, modal jazz, and electronic music. On October 11, 1964, Miles Davis performed at Teatro Dell'Arte in Milan. With tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams, Davis performed Autumn Leaves, My Funny Valentine, All Blues, All of You, and Joshua.
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Mel Lewis Orchestra was arguably the most influential big band since the swing era. They were an unusual band, creating new styles, succeeding in an era when big bands were unpopular and remaining integrated during racially tense periods.
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