When Tony and Angela learn that they are married -- in the eyes of the Internal Revenue Service -- they begin to act like a married couple, thus changing the entire household's attitude toward them.
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Angela and Tony play matchmaker, fixing up her shy cousin with his best buddy, the team doctor for the New York Rangers. But no one knows what to do when the unlikely pair decides to get married!
Samantha lands herself a date with a "college man," but fails to tell her dad, sending Tony on a rampage through the university library to track down the guy.
When Tony donates his cooking and cleaning services to a neighborhood charity auction, Angela must bid against Frankie, whose interest in Tony goes far beyond his house-keeping skills.
Tony moves into Mona's vacant apartment as he tries to relive his fun-filled bachelor days.
Mona discovers that her brother, Cornelius Rockwell, has used her nest egg to buy a seedy Manhattan hotel.
Angela hires another secretary to help Mona (Katherine Helmond) with the office workload, but Mona can't tolerate her work habits -- efficiency and perfectionism.
Angela impulsively asks the wildest guy from her high school days out on a date.
Angela feels old when she works on an ad account for a designer who has a staff of young and beautiful women.
Tony's recently released-from-prison father-in-law has new moneymaking idea: a prison diet book.
Geoffrey pops "the big question," but it's not quite what Angela -- or anyone else, for that matter -- expected.
Tony is pitted against a typing teacher from Brooklyn, nicknamed "The Terminator," in a charity boxing match.
Angela talks legendary performer Ray Charles into recording a love song written by Samantha's boyfriend as a jingle for an important account but when the young couple splits up, Samantha insists that Angela call the whole thing off. Ray Charles appears as himself.
Tony wrestles with his conscience over whether to try to patch things up after Angela and Geoffrey call it quits.
When Tony learns of a facet of his late wife's personality he never knew existed, he doubts his worth as a husband.
Tony decides that Jonathan has became an intellectual wimp, and against Angela's better judgment, enrolls him in gymnastics competition designed to heighten the youngster's machismo -- and his own self-image.
While serving as members of a wedding party, Tony and Angela envision themselves as the bride and groom.
When Samantha returns from a party with a hickey on her neck, she considers it a romantic status symbol, while her dad regards it as an ominous portent of things to come.
When Mona starts her own limousine rental service, it sets the wheels in motion for new business for Angela's ad agency.
When Samantha decides to apply to a live-away school, and Angela, being an alumna of the school, backs up the effort 100%, Tony starts making noises like a dispossessed father.
Uncertainty fills the Bower-Micelli household as Tony confesses the unwitting role he played in Angela's firing, and Angela brings her resources to bear in seeking another spot at the top.
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