
Morceaux de Cannes
Morceaux de Cannes

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Born: 1950-06-06 in Brussels, Belgium
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Morceaux de Cannes

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Je, tu, il, elle

Family Business

Birth of a Nation

L'Enfant aimé ou Je joue à être une femme mariée

Dis-moi

Chantal Akerman

Guest

Maniac Summer

Porto

What Is Cinema?

Seven Women, Seven Sins

Calling the Shots
On Belonging

Pictures of Europe

La chambre

Là-bas

Delphine et Carole, insoumuses

I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman
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