
Why Be Good?: Sexuality & Censorship in Early Cinema
Why Be Good?: Sexuality & Censorship in Early Cinema
2007-05-23
4.3 / 10 ( 5)

Born: 1871-02-22 in Saint Louis, Missouri, USA
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Why Be Good?: Sexuality & Censorship in Early Cinema

For the Defense

The Cheat

The Years of the Locust

On the Level

A Japanese Nightingale

Our Better Selves

The Cry of the Weak

The Narrow Path

The Yellow Ticket

La Rafale

Her Strange Wedding

The Crystal Gazer

A Gutter Magdalene

Betty to the Rescue

The Marriage of Kitty

Common Clay

Unconquered

A School for Husbands

Each Pearl a Tear
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