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Love Left the Masquerade: Peter Medak's Cinema of Pretenders
10.0
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The Wind Blows Where It Wishes
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The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972
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Ezer Kenegdo
4.5
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Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes
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The Fourth Movement
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Now, Irving Rapper
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It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
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Arid Cut
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Clear Lines of Sight: Sidney J. Furie at Paramount
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Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision
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Cruel, Usual, Necessary: The Passion of Silvio Narizzano
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Dead Neon: The Many Faces of Lenny Bruce on Film
8.0
2
Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema
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Elective Vicissitudes: The Radical Exiles of Jules Dassin
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Survival Scars: Franklin J. Schaffner as Auteur
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Ammo for Shooting Clouds: John G. Avildsen Before Rocky
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Jack of Three Trades: In Focus on Nicholson the Director
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La Vie en Gris: The Anglophone Louis Malle in Seven Pictures
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Ben Fries the Slaves
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