Crying Rope, Missing Black Hair
泣き縄 黒髪無残

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Born: 1959-08-15 in Shizuoka, Shizuoka Prefecture, Japan
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泣き縄 黒髪無残

桃色身体検査

絶倫ギャル やる気ムンムン
ふるさとポルノ娘18!種つけ祭り

痴漢電車 いやらしい行為

秋の理由

シャボン玉エレジー

女囚残酷私刑

ハッテンバ・ラブ・ストーリー

アイ・スタンド・アローン SEX & LOVE
若妻暴行変質魔

若妻密室暴行事件

痴漢電車終点までいかせて

クロス・ザ・レンズ

痴漢電車 後ろで発車
宅配妻 濡らしてまって!

Japanscope, panorama de la nouvelle Nouvelle Vague

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

In The Sea of Trees

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
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