
Counterfeit World: Making 'To Live and Die in L.A.'
Counterfeit World: Making 'To Live and Die in L.A.'

William David Friedkin (August 29, 1935 – August 7, 2023) was an American film, television and opera director, producer, and screenwriter who was closely identified with the "New Hollywood" movement of the 1970s. Beginning his career in documentaries in the early 1960s, he is best known for his crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture and Best Director, and the horror film The Exorcist (1973), which earned him another Academy Award nomination for Best Director. Friedkin's other films in the 1970s and 1980s include the drama The Boys in the Band (1970), considered a milestone of queer cinema; the originally deprecated, now lauded thriller Sorcerer (1977); the crime comedy drama The Brink's Job (1978); the controversial thriller Cruising (1980); and the neo-noir thriller To Live and Die in L.A. (1985). Although Friedkin's works suffered an overall commercial and critical decline in the late 1980s, his last three feature films, all based on plays, were positively received by critics: the psychological horror film Bug (2006), the crime film Killer Joe (2011), and the legal drama film The Caine Mutiny Court-Martial (2023), released two months after his death. He also worked extensively as an opera director from 1998 until his death, and directed various television films and series episodes for television. Description above from the Wikipedia article William Friedkin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born: 1935-08-29 in Chicago, Illinois, USA
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Counterfeit World: Making 'To Live and Die in L.A.'

Anatomy of a Chase

Fear in the Dark

View from the Overlook: Crafting 'The Shining'

The Visions of Stanley Kubrick

A Fuller Life

A Decade Under the Influence

Billy Wilder: The Human Comedy

The Man Who Shot Chinatown: The Life and Work of John A. Alonzo

Without Limits

Magician: The Astonishing Life and Work of Orson Welles

Algren

The Masterpiece That Almost Wasn't

Great Bolshy Yarblockos!: Making 'A Clockwork Orange'

Miller's Tale

Tales from the Warner Bros. Lot

The Master's Touch: Hitchcock's Signature Style
Stanley Kubrick in Focus

I Am Alfred Hitchcock

The Fear of God: 25 Years of The Exorcist
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