
Cinématon
Cinématon

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Born: 1917-05-31 in Paris, France
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Cinématon

Chronique d'un été (Paris 1960)

Le Joli Mai

Мир без игры

Sodankylä ikuisesti: Elokuvan vuosisata

La Poupée

Les Maîtres fous

La Nouvelle Vague par elle-même

Les films rêvés

Ciné-portrait de Raymond Depardon

Samba le grand

Le Fils de Gascogne
Cinéma! Cinéma! The French New Wave

Germaine chez elle

Nouvelle Vague : El cine sin dogmas
Ciné-mafia

Pierre Verger: Mensageiro Entre Dois Mundos
Civilisation: L'homme et les images

Freddy Buache, le cinéma

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
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