
Je Tu Il Elle
Je, tu, il, elle

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Born: 1950-06-06 in Brussels, Belgium
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Je, tu, il, elle

Guest

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Porto

What Is Cinema?

Calling the Shots

Autour d’hier aujourd’hui et demain (on déménage)

I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman

Sodankylä ikuisesti: Elokuvan vuosisata

La chambre

L'Enfant aimé ou Je joue à être une femme mariée

News from Home

Pictures of Europe

Seven Women, Seven Sins

Les Ministères de l'art

Delphine et Carole, insoumuses

Birth of a Nation

Chantal Akerman par Chantal Akerman

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

Family Business
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