Hometown Porn Girl 18! Seeding Festival
ふるさとポルノ娘18!種つけ祭り

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Born: 1959-08-15 in Shizuoka, Shizuoka Prefecture, Japan
Showing21to25of25results
ふるさとポルノ娘18!種つけ祭り

桃色身体検査

痴漢電車 いやらしい行為

ハッテンバ・ラブ・ストーリー

痴漢電車終点までいかせて

秋の理由

若妻密室暴行事件

シャボン玉エレジー
宅配妻 濡らしてまって!

痴漢電車 後ろで発車

女囚残酷私刑

絶倫ギャル やる気ムンムン

クロス・ザ・レンズ

アイ・スタンド・アローン SEX & LOVE
泣き縄 黒髪無残
若妻暴行変質魔

Japanscope, panorama de la nouvelle Nouvelle Vague

In The Sea of Trees

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

Revenge in S&M: An Interview with Hisayasu Sato
Showing21to25of25results