
Japanscope, panorama de la nouvelle Nouvelle Vague
Japanscope, panorama de la nouvelle Nouvelle Vague

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Born: 1959-08-15 in Shizuoka, Shizuoka Prefecture, Japan
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Japanscope, panorama de la nouvelle Nouvelle Vague

絶倫ギャル やる気ムンムン

女囚残酷私刑

若妻密室暴行事件
泣き縄 黒髪無残

痴漢電車終点までいかせて

シャボン玉エレジー
若妻暴行変質魔

クロス・ザ・レンズ

痴漢電車 後ろで発車
宅配妻 濡らしてまって!
ふるさとポルノ娘18!種つけ祭り

痴漢電車 いやらしい行為

桃色身体検査

ハッテンバ・ラブ・ストーリー

秋の理由

アイ・スタンド・アローン SEX & LOVE

Lost in the Bedroom: An interview with Kyôko Nakamura

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

I'm Being Watched: An Interview with Hisayasu Sato
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