
The Lovely Month of May
Le Joli Mai

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Born: 1917-05-31 in Paris, France
Showing21to39of39results

Le Joli Mai

La Poupée

Sodankylä ikuisesti: Elokuvan vuosisata

Cinématon

Chronique d'un été (Paris 1960)

Le Fils de Gascogne

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
Cinéma! Cinéma! The French New Wave

Lettre à Jean Rouch

Ciné-portrait de Raymond Depardon

Мир без игры

Jean Rouch, des mensonges plus vrais que la réalité

La Nouvelle Vague par elle-même
Ciné-mafia

Mes entretiens filmés

Les Maîtres fous

Nouvelle Vague : El cine sin dogmas

Les films rêvés

En une poignée de mains amies
Rouch in Reverse
Showing21to39of39results