Hometown Porn Girl 18! Seeding Festival
ふるさとポルノ娘18!種つけ祭り

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Born: 1959-08-15 in Shizuoka, Shizuoka Prefecture, Japan
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ふるさとポルノ娘18!種つけ祭り

絶倫ギャル やる気ムンムン

桃色身体検査

痴漢電車 いやらしい行為

ハッテンバ・ラブ・ストーリー

アイ・スタンド・アローン SEX & LOVE

秋の理由

女囚残酷私刑

痴漢電車終点までいかせて

シャボン玉エレジー

クロス・ザ・レンズ
宅配妻 濡らしてまって!

若妻密室暴行事件
若妻暴行変質魔

痴漢電車 後ろで発車
泣き縄 黒髪無残

Japanscope, panorama de la nouvelle Nouvelle Vague

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

Lost in the Bedroom: An interview with Kyôko Nakamura

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
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