
Esa hembra es mala
Esa hembra es mala

Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are generally in the action genre, concentrating on such staple themes as feuds between drug traffickers, illegal trade in human organs, and police investigations, and thus they are not of a kind that normally attracts the attention of foreign film critics. The two facts aforesaid likely explain why she is virtually unknown in the English-speaking world, despite her highly prolific output. Martínez appears on screen in many of her movies, though almost never in a leading role. She has often cast Mario Almada in leading roles including, Tijuana, ciudad de narcos in 1998. Her movies tend to portray extreme, explicit violence.
Born: Unknown
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Esa hembra es mala

Ellas asesinas

Viendo doble

Pueblo sin leyes

Todo personal

Traficantes de muerte

Por un vestido de novia

Herencia Homicida

Despedida de soltero

La zorra millonaria

El reflejo del espejo

Por tu maldito dinero

La muerte del judicial

La fuga del penal de Apatzingán

Son tus perjúmenes mujer

El regreso de Camelia la Chicana

Me anda buscando la ley por traficante de drogas
Muerto el perro se acabo la rabia

Ahogado el niño se tapa el pozo

Día de los muertos
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