
The Doll
La Poupée

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Born: 1917-05-31 in Paris, France
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La Poupée

Portrait de Jean Rouch

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Les films rêvés
Mon père c'est un lion - Jean Rouch pour mémoire

Мир без игры

Lettre à Jean Rouch

Le Joli Mai

Jean Rouch, des mensonges plus vrais que la réalité

Work(ing Together) in Process

Mes entretiens filmés

Ciné-portrait de Raymond Depardon

Cinématon
Rouch in Reverse

Chronique d'un été (Paris 1960)

Les Maîtres fous

Ispahan : lettre persane

Nouvelle Vague : El cine sin dogmas

Ciguri - Tarahumaras 99 - Le dernier chaman

Samba le grand
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