
Why Be Good?: Sexuality & Censorship in Early Cinema
Why Be Good?: Sexuality & Censorship in Early Cinema

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
Born: 1875-01-22 in LaGrange, Kentucky, USA

Why Be Good?: Sexuality & Censorship in Early Cinema

San Francisco

The Legend of Rudolph Valentino

The Tramp and the Dictator

1776, or The Hessian Renegades

Charlie Chaplin, le génie de la liberté

Rescued from an Eagle's Nest

At the Altar

A Calamitous Elopement

Balked at the Altar

Star Power: The Creation Of United Artists

Enoch Arden

The Fatal Hour
The Red Girl

The Black Viper

Two Daughters of Eve
The Stage Rustler

Mary Pickford: The Muse of the Movies

Her First Adventure
At the French Ball