
Cinématon
Cinématon

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Born: 1917-05-31 in Paris, France
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Cinématon

Chronique d'un été (Paris 1960)

Le Joli Mai

Mes entretiens filmés
Cinéma! Cinéma! The French New Wave

Lindprii
Ciné-mafia

Freddy Buache, le cinéma

Le Fils de Gascogne

La Poupée

Мир без игры

Ciné-portrait de Raymond Depardon

Les films rêvés

Les Maîtres fous

L'Oeuf sans coquille

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Jean Rouch, des mensonges plus vrais que la réalité

Jean Rouch, Primera Película: 1947-1991

La Nouvelle Vague par elle-même

Ciguri – Tarahumaras 98 - La Danse Du Peyotl
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