
Chronicle of a Summer
Chronique d'un été (Paris 1960)

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Born: 1917-05-31 in Paris, France
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Chronique d'un été (Paris 1960)

Sodankylä ikuisesti: Elokuvan vuosisata

Le Joli Mai

Cinématon

Le Fils de Gascogne

La Poupée

La Nouvelle Vague par elle-même

Mes entretiens filmés
Cinéma! Cinéma! The French New Wave
Ciné-mafia

Nouvelle Vague : El cine sin dogmas

Les Maîtres fous

Work(ing Together) in Process

Jean Epstein, Young Oceans of Cinema

Ciguri - Tarahumaras 99 - Le dernier chaman
Civilisation: L'homme et les images

Pierre Verger: Mensageiro Entre Dois Mundos
Maya Deren, Take Zero

Les films rêvés

Мир без игры
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