Crying Rope, Missing Black Hair
泣き縄 黒髪無残

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Born: 1959-08-15 in Shizuoka, Shizuoka Prefecture, Japan
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泣き縄 黒髪無残

桃色身体検査

秋の理由
ふるさとポルノ娘18!種つけ祭り

痴漢電車 いやらしい行為

シャボン玉エレジー

ハッテンバ・ラブ・ストーリー

絶倫ギャル やる気ムンムン

アイ・スタンド・アローン SEX & LOVE

女囚残酷私刑

若妻密室暴行事件

痴漢電車終点までいかせて

痴漢電車 後ろで発車
宅配妻 濡らしてまって!

Japanscope, panorama de la nouvelle Nouvelle Vague

クロス・ザ・レンズ
若妻暴行変質魔

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3

In The Sea of Trees
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