
Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Born: 1917-05-31 in Paris, France
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Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Les films rêvés

Mes entretiens filmés

Lindprii

Chronique d'un été (Paris 1960)

Le Joli Mai
Ciné-mafia

Cinématon

Ciné-portrait de Raymond Depardon

Freddy Buache, le cinéma

Le Fils de Gascogne

Ciguri - Tarahumaras 99 - Le dernier chaman

Germaine chez elle
Civilisation: L'homme et les images

Мир без игры

Jean Rouch, Primera Película: 1947-1991

Ciguri – Tarahumaras 98 - La Danse Du Peyotl

Lettre à Jean Rouch

Les Maîtres fous

L'Oeuf sans coquille
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